Search results
Results from the WOW.Com Content Network
Memphis was born on the evening of December 11, 1980, when Sottsass invited a group of young designers and architects to discuss the future of design. [3] Together, they wanted to change the concept of what design had been focused on, which had been Modernism and aimed to do so by creating and forming a new design collective.
Corporate Memphis is an art style named after the Memphis Group that features flat areas of color and geometric elements. Widely associated with Big Tech illustrations in the late 2010s [ 1 ] and early 2020s, [ 2 ] it has been met with a polarized response, with criticism focusing on its use in sanitizing corporate communication, [ 1 ] as well ...
City Beautiful movement 1890–20th century US; Classical architecture 600 BC – 323 AD; Colonial Revival architecture; Constructivist architecture; Danish Functionalism 1960s AD Denmark; Deconstructivism 1982–present; Decorated Period c. 1290 – c. 1350; Dragestil 1880s–1910s, Norway; Dutch Colonial 1615–1674 (Treaty of Westminster ...
In her critical writing, Radice defined the themes and theories of this new aesthetic movement, and would become the group's de facto historian and chronicler. In 1984 she published Memphis: Research, Experiences, Results, Failures and Successes of New Design , a manifesto for the group's design philosophy.
The Memphis Group was a postmodern, collaborative, architecture and design group founded by Sottsass in Milan Italy. The group focused heavily on furniture design with an emphasis on unconventional types. The designers became well known for their bright and bold pieces with clashing colors. At the time, furniture was solely meant to be functional.
Original file (806 × 1,237 pixels, file size: 292 KB, MIME type: application/pdf) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
In December 1980, Bedin was a co-founder of the Memphis-Milano Group [6] when the Italian postmodern design collective was formed during a gathering at Barbara Radice's home in Milan. [7] Bedin contributed to their debut collection in 1981 which included work by Matteo Thun , Andrea Branzi , Michele De Lucchi, Georges Sowden , Nathalie Du ...
In parallel to the industrial design work on early Olivetti computers, he was involved during the 1970s in experimental "radical" design projects which enabled him to become, in 1981, one of the co-founders of the Memphis Group, the design movement that had a significant impact on design in the eighties. [4] [5]