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Beijing opera costumes, 2012. Beijing opera was created in 1790 during the reign of the Qianlong Emperor in the Qing dynasty; however, the origins of its costumes can be traced back to the 14th century. [3] The costumes were set in the Qing dynasty but its style mainly followed the Ming dynasty's hanfu-style clothing.
Another guzhuang-style costume which has influenced modern clothing in modern-day China is the Xiuhefu designed by costume designer Ye Jintian in 2001 for the role of drama female character Xiu He, played by Chinese actress Zhou Xun, in the Chinese television drama Juzi Hongle (橘子紅了; 'Orange turned red'), a drama set in the Republican ...
The wusheng (Chinese: 武生; pinyin: wǔshēng; lit. 'martial sheng') is a martial character for roles involving combat. They are highly trained in acrobatics, and have a natural voice when singing. [4] In Peking opera, wusheng is further divided into two subcategories based on the character's costume: [1]
An early form of Chinese drama is the Canjun Opera (參軍戲, or Adjutant Play) which originated from the Later Zhao Dynasty (319–351 AD). [10] [11] [12] In its early form, it was a simple comic drama involving only two performers, where a corrupt officer, Canjun or the adjutant, was ridiculed by a jester named Grey Hawk (蒼鶻). [10]
Qun (Chinese: 裙; pinyin: qún; Jyutping: kwan4; lit. 'skirt'), referred as chang (Chinese: 裳; pinyin: cháng) prior to the Han dynasty, [1] chang (Chinese: 常) and xiachang (Chinese: 下常), [2] and sometimes referred as an apron, [3] is a generic term which refers to the Chinese skirts used in Hanfu, especially those worn as part of ruqun, and in Chinese opera costume.
They are also used on religious and ritual clothing (e.g. Daojiao fushi which is Taoist clothing [3]: 101 and Chinese Buddhist clothing) and in Xifu, Chinese opera costumes. [4] Auspicious symbols and motifs continue to be used in present-day China in industries, such as home textiles and clothing; they are also used in modern design packaging ...
The mamianqun used as a type of qun, Chinese skirt, in xifu, Chinese opera costumes. [2]: 303 In Chinese opera, the mamianqun is often worn with a nüpi or a nüxuezi; this combination reflects one of the most common style of aoqun attire in the Ming dynasty consisting a knee-length, duijin shan (Chinese: 对襟衫) over a pleated skirt.
Lingzi (Chinese: 翎子), also called zhiling (Chinese: 雉翎), refers to a traditional Chinese ornament which uses long pheasant tail feather appendages to decorate some headdress in Xifu, Chinese opera costumes. [1] [2]: 487 [3] In Chinese opera, the lingzi not only decorative purpose but are also used express thoughts, feelings, and the ...
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