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"Blow the Whistle" is a song by American rapper Too Short, released by Up All Nite, Zomba and Jive Records on March 3, 2006 as the lead single from his sixteenth album of the same name. The song, produced by Lil Jon , features a refrain in which Too Short utters "blow the whistle!", followed by a series of whistle blasts.
"Can You Handle It" is a song by American singer Sharon Redd. It was released in May 21, 1980 in theaters with the Star Wars film The Empire Strikes Back as the first single from her self-titled debut album (1980). It charted on the US Billboard Dance and R&B charts, and at No. 31 in the UK. [1]
The song is one of Hendrix's best known; it was a feature of his concert performances throughout his career, and several live renditions were recorded and released on later albums. After his death in 1970 , Track Records released the song as a single in the United Kingdom using the title "Voodoo Chile" (see confusion over title ).
"Safe and Sound" is a song by American indie pop duo Capital Cities, written and produced by band members Ryan Merchant and Sebu Simonian. The song was released as a single on January 6, 2011, and first appeared on their debut EP Capital Cities (2011), later serving as the lead single from their debut studio album, In a Tidal Wave of Mystery (2013).
As well, the song may have been of some influence on the later Rock and roll genre. Little Richard often spoke of being influenced by Louis Jordan; Caldonia was the first non-gospel song he learned. The shriek on the Jordan record "sounds eerily like the vocal tone Little Richard would adopt" in addition to the "Jordan-style pencil-thin moustache".
"You Can't Always Get What You Want" is a song by the English rock band the Rolling Stones from their 1969 album Let It Bleed. Written by Mick Jagger and Keith Richards , it was named as the 100th greatest song of all time by Rolling Stone magazine in its 2004 list of the " 500 Greatest Songs of All Time " before dropping a place the following ...
"Stop Messin' Round" is credited to Peter Green and C.G. Adams, Fleetwood Mac's manager, who also used the name Clifford Davis. [1] Only two of the song's 12-bar verses include vocals: the first uses the common call and response or AAB pattern, while the second includes four bars of stop-time, before concluding with the same refrain as the first: [2]
Lennon wrote the song at home, wanting another song for the film Help!. [2] The song "is just basically John doing Dylan", Paul McCartney confirmed. [3] The song is similar to a folkish strophic form and uses a Dylanesque acoustic guitar figure in compound duple time, normally committed to score in 6 8 or 12 8 time, with chiefly acoustic ...