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The name Uma is used for Sati (Shiva's wife, who is the incarnation of Parvati) in earlier texts, [which?] but in the Ramayana, it is used as a synonym for Parvati. In the Harivamsa , Parvati is referred to as Aparna ('One who took no sustenance') and then addressed as Uma, who was dissuaded by her mother from severe austerity by saying u mā ...
Furthermore, it says "Shiva, the Supreme Lord, has no liūga", liuga (Sanskrit: लिऊग IAST: liūga) meaning Shiva is transcendent, beyond any characteristic and, specifically the sign of gender. [314] Apart from anthropomorphic images of Shiva, he is also represented in aniconic form of a lingam. [315] These are depicted in various designs.
Sati (/ ˈ s ʌ t iː /, Sanskrit: सती, IAST: Satī, lit. ' truthful' or 'virtuous '), also known as Dakshayani (Sanskrit: दाक्षायणी, IAST: Dākṣāyaṇī, lit. 'daughter of Daksha'), is the Hindu goddess of marital felicity and longevity, and is worshipped as an aspect of the mother goddess Shakti.
Shiva is seated upon a deer-throne and surrounded by sages who are receiving his instruction. [6] He is shown as seated with his right foot on mythical apasmara (a demon which in Hindu mythology, is the personification of ignorance) and his left foot lies folded on his lap. Wild animals are sometimes depicted surrounding him.
Kannappa's devotion to Shiva began when he discovered the vayu linga (embodiment of air) while hunting in the forest. He offered the aniconic representation of Shiva whatever he could, including water from his mouth and meat from his hunts. These acts, while unconventional, were accepted by Shiva due to the hunter's sincerity and pure heart.
The name Ardhanarishvara means "the Lord Who is half woman." Ardhanarishvara is also known by other names like Ardhanaranari ("the half man-woman"), Ardhanarisha ("the Lord who is half woman"), Ardhanarinateshvara ("the Lord of Dance (Who is half-woman), [1] [2] Parangada, [3] Naranari ("man-woman"), Ammaiyappan (a Tamil Name meaning "Mother-Father"), [4] and Ardhayuvatishvara (in Assam, "the ...
In another Telugu tale and the Kuchipudi dance tradition, Ravana asks Shiva for Parvati as his wife. Shiva consents; however Parvati creates a look-alike maiden from a frog and entrusts her to Ravana. Since the woman was created from a frog, she was called Mandodari. [7]
His second work was Virabhadhra Vijayamu which describes the adventures of Lord Virabhadhra, element of Lord Shiva. The main theme was the destruction of 'Daksha Yagna' performed in the absence of Lord Siva by Daksha Prajapathi. As a young man, he was a devotee of Lord Siva. Later, Pothana became a devotee of Lord Rama and more interested in ...