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In 1973 CBS changed the "tailed" Fender amp logo to the modern-looking "tailless" style (which was first introduced in 1967 on the student Bronco amp). A master volume knob and a pull-out "boost" pot were added on some amplifiers, followed by ultralinear output transformers and a "scripted tailless" amp decal featuring a "Made in USA" script in ...
The Vibrosonic Reverb was a guitar amplifier made by Fender.This silverfaced guitar combo was basically a master volume Twin Reverb equipped with a JBL D-130-F 15" speaker. It was available with 100 watts RMS of power with a 1960s "tailed" Fender logo before its change to a 135 watts RMS combo featuring a "tailless" Fender decal in 1977.
Master volume models with "pull boost" tone circuit, a Mid control knob for the Normal channel and a tailless amp decal were introduced in 1976. Power was increased from 40 to 70 watts/RMS; Line Out jack, hum balance pot and an ultra linear output transformer were added in 1977. [2]
Master volume was added after 1972, and pull-out boost circuit added in 1975. Line Out jack socket and a 3-band equalization for the Normal Channel added in 1978.) Silverface amps made between '68 and '72 were emblazoned with "Super Reverb-Amp" with a tailed amp logo in the grille cloth.
In 1972 a master volume was added, then in late '73 it was fitted with a push pull "boost" or acentric potentiometer in the master volume position. The rating of the amplifier's output power was upgraded to 100 watts and between 1977–1982 an ultra linear output transformer was used, increasing the power to 135 watts.
A Master Volume/BYPASS switch completely bypasses the Master Volume section allowing incredible levels of gain and sustain to be achieved. OP mode switch cut the amp's Output Power level in half (30 > 15 on the AC30, 15 > 7.5 on the AC15) allowing higher levels of saturation to be achieved at lower volumes.
Unlike the Champion 600, which has a strictly all-tube audio signal path, the Vibro Champ XD's tube circuitry is complemented by a digital signal processor (DSP) that functions as a pre-amp by modelling 16 different amplifiers. The effect of the volume, gain and tone control knobs varies according to the selected amp model.
This Paul Rivera-specified Fender guitar amplifier was introduced in 1982 to replace the Princeton Reverb. [1] It was a completely different and significantly more powerful amplifier. [2] Designed by Ed Jahns, it featured a built-in reverb, treble boost and mid boost controls, and a switchable lead (overdrive) effect.
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