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One Hundred Poets, One Poem Each: A Translation of the Ogura Hyakunin Isshu, Peter McMillan, foreword by Donald Keene. New York: Columbia University Press, 2008. ISBN 978-0-231-14398-1; One Hundred Poets, One Poem Each: A Treasury of Classical Japanese Verse, Peter McMillan. London: Penguin Classics, 2018. ISBN 9780141395937
In the time of the Man'yōshū (compiled after 759 AD), the term "tanka" was used to distinguish "short poems" from the longer chōka (長歌, "long poems").In the ninth and tenth centuries, however, notably with the compilation of the Kokin Wakashū, the short poem became the dominant form of poetry in Japan, and the originally general word waka (和歌, "Japanese poem") became the standard ...
Page from the Qur'an manuscript with the fragment of the surah Al-Waqi'a. Kufic script, North Africa, 10th century. Museum of Islamic Art, Doha Right-hand half of a double-page frontispiece of the Mamluk Qur'an with verses 75-77 of the surah Al-Waqi'a in kufic script.
The Kokin Wakashū is an early (c. 900) anthology of waka poetry which fixed the form of Japanese poetry. [1] Waka (和歌, "Japanese poem") is a type of poetry in classical Japanese literature. Although waka in modern Japanese is written as 和歌, in the past it was also written as 倭歌 (see Wa, an old name for Japan), and a variant name is ...
The Shin Kokin Wakashū (新古今和歌集, "New Collection of Poems Ancient and Modern"), also known in abbreviated form as the Shin Kokinshū (新古今集) or even conversationally as the Shin Kokin, is the eighth imperial anthology of waka poetry compiled by the Japanese court, beginning with the Kokin Wakashū circa 905 and ending with the Shinshokukokin Wakashū circa 1439.
A replica of a Man'yōshū poem No. 8, by Nukata no Ōkimi. The Man'yōshū (万葉集, pronounced [maɰ̃joꜜːɕɯː]; literally "Collection of Ten Thousand Leaves") [a] [1] is the oldest extant collection of Japanese waka (poetry in Old Japanese or Classical Japanese), [b] compiled sometime after AD 759 during the Nara period.
"Be, and it is" (كُن فَيَكُونُ kun fa-yakūnu) is a phrase referring to creation by Allah. In Arabic the imperative verb "be" (kun) is spelled with the letters kāf and nūn. [1] Kun fa-yakūnu has its reference in the Quran cited as a symbol or sign of God's supreme creative power. There are eight Quranic references to kun fa-yakūnu:
Each refers to a fixed time of the day for prayer. The canonical hours create a framework for the dramatization of Auden's religious position, which he described in a letter as "very much the same as Reinhold [Neibuhr]'s , i.e. Augustinian , not Thomist (I would allow a little more place, perhaps, for the Via Negativa .)