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He also cautions against taking the mere repetition of a movement to indicate a rhythm. The object of rhythmanalysis is to access the obscure property of the rhythm called ‘presence.’ The sensory events through which the rhythmanalyst perceives the rhythm are called ‘simulacra,’ or simply ‘the present.’ The need for rhythmanalysis ...
In their playful pursuits, African-American girls demonstrate a fundamental complement of Black music-making: syncopated rhythms and intricate percussion ignite hand-clapping and foot stomping; call-and-response patterns that define the interplay of linguistic and musical doing between their voices and bodies during group play; and a strong ...
Repetition–Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion. Rhyme–Rhyme uses repeating patterns to bring out rhythm or musicality in poems. It is a repetition of similar sounds occurring in lines in a poem which gives the poem a symmetric quality.
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. [1]
Dramatism, a communication studies theory, was developed by Kenneth Burke as a tool for analyzing human relationships through the use of language. Burke viewed dramatism from the lens of logology, which studies how people's ways of speaking shape their attitudes towards the world. [1]
Repetition is defined as the repetition of a phrase or melody often with variations in key, rhythm, and voice. Different authors define imitation somewhat differently: Real imitation[:] An imitation with no modifications except for the usual diatonic adjustment of half and whole steps. The exact transposition of a melody at different pitch levels.
"The more our daily life appears standardised, stereotyped, and subject to an accelerated reproduction of objects of consumption, the more art must be injected into it in order to extract from it that little difference which plays simultaneously between other levels of repetition, and even in order to make the two extremes resonate—namely ...
Strauss and Howe compare the saecular rhythm to the four seasons, which they say similarly occur in the same order, but with slightly varying timing. Just as winter may come sooner or later, and be more or less severe in any given year, the same is true of a Fourth Turning in any given saeculum.