Search results
Results from the WOW.Com Content Network
He also cautions against taking the mere repetition of a movement to indicate a rhythm. The object of rhythmanalysis is to access the obscure property of the rhythm called ‘presence.’ The sensory events through which the rhythmanalyst perceives the rhythm are called ‘simulacra,’ or simply ‘the present.’ The need for rhythmanalysis ...
Brackett (ibid) finds the cut in all African American folk and popular music "from ring to rap" and lists the blues (AAB), "Rhythm" changes in jazz, the AABA form of bebop, the ostinato vamps at the end of gospel songs allowing improvisation and a rise in energy, short ostinatos of funk which spread that intensity throughout the song, samples ...
His findings include uses of call-and-response and the importance of interjections from the audience to express satisfaction or dissatisfaction. [16] These heterogeneous sound ideals are also found in many other types of music. White people sometimes taught black slaves to play Western instruments such as the fiddle and violin. [17]
A literal repetition of a musical passage is often indicated by the use of a repeat sign, or the instructions da capo or dal segno. Repetition is a part and parcel of symmetry—and of establishing motifs and hooks. You find a melodic or rhythmic figure that you like, and you repeat it throughout the course of the melody or song. This sort of ...
Repetition is defined as the repetition of a phrase or melody often with variations in key, rhythm, and voice. Different authors define imitation somewhat differently: Real imitation[:] An imitation with no modifications except for the usual diatonic adjustment of half and whole steps. The exact transposition of a melody at different pitch levels.
Note the use of slurs by the composer to indicate the intended phrasing. Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of ...
The difference being in the last three pitches (C, B ♭, A versus F, E, D). We have whole-step + half-step intervals in the first, and half-step + whole-step in the second. A rhythmic sequence is the repetition of a rhythm with free use of pitches: The opening bars of "The Star-Spangled Banner" Opening bars of "The Star-Spangled Banner"
The cover of race records catalogue of Victor Talking Machine Company. Race records is a term for 78-rpm phonograph records marketed to African Americans between the 1920s and 1940s. [1] They primarily contained race music, comprising various African-American musical genres, blues, jazz, and gospel music, rhythm and blues and also comedy. These ...