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The Tao of Islam: A Sourcebook on Gender Relationships in Islamic Thought (1992) Sachiko Murata (村田幸子, born 1943) is a Japanese scholar of comparative philosophy and mysticism [ 2 ] and a professor of religion and Asian studies at Stony Brook University .
Jolan Chang (9 December 1917 – 25 April 2002) was a Canadian sexologist and Taoist philosopher who wrote the luminary classics on Eastern Sexuality The Tao of Love and Sex and The Tao of the Loving Couple. He was born in Hangzhou as the son of an army general. After the revolution he lived for a number of years in Canada, but later he moved ...
Thomas Francis Cleary (24 April 1949 – 20 June 2021) was an American translator and author of more than 80 books related to Buddhist, Taoist, Confucian, and Muslim classics, and of The Art of War, a treatise on management, military strategy, and statecraft.
This is a treasure whose secret spring is the fear of losing one's life before one's time. This fear of death, out of a love for life, is indeed the key to Taoist wisdom. [4]: 209 In the Mawangdui Silk Texts version of the Tao Te Ching, this traditional "Three Treasures" chapter 67 is chapter 32, following the traditional last chapter (81, 31 ...
The Daozang (Chinese: 道藏; pinyin: Dàozàng; Wade–Giles: Tao Tsang) is a large canon of Taoist writings, consisting of around 1,500 texts that were seen as continuing traditions first embodied by the Daodejing, Zhuangzi, and Liezi.
The Qingjing Jing (simplified Chinese: 清静经; traditional Chinese: 清靜經; pinyin: Qīngjìng Jīng; Wade–Giles: Ch'ing Ching Ching; lit. 'Classic of Clarity/Purity and Stillness/Tranquility') is an anonymous Tang dynasty Taoist classic that combines philosophical themes from the Tao Te Ching with the logical presentation of Buddhist texts and a literary form reminiscent of the Heart ...
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Tao: The Watercourse Way is a 1975 non-fiction book on Taoism and philosophy, and is Alan Watts' last book. [1] [2] It was published posthumously in 1975 with the collaboration of Al Chung-liang Huang, who also contributed a preface and afterword, and with additional calligraphy by Lee Chih-chang.