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"Money Trap" is the seventh episode of the fourth season of the American Neo-Western [1] television series Justified. It is the 46th overall episode of the series and was written by producer Chris Provenzano from a story by Provenzano and executive producer Elmore Leonard and directed by co-executive producer Don Kurt.
The fourth season was released on Blu-ray and DVD in region 1 on December 17, 2013, [23] in region 2 on August 12, 2013, [24] and in region 4 on August 8, 2013. [25] Special features on the season four set include ten audio commentaries by cast and crew, deleted scenes, five behind-the-scenes featurettes, and outtakes. [26]
Justified is an American neo-Western [1] television series which premiered March 16, 2010, on FX. [2] The series was developed for television by Graham Yost, based on a series of novels and short stories by Elmore Leonard, and stars Timothy Olyphant as Deputy U.S. Marshal Raylan Givens.
The following contains spoilers from the Justified: City Primeval season finale, which aired Aug. 29 on FX and begins streaming on Hulu Aug. 30. Walton Goggins told a little white lie — though ...
According to Nielsen Media Research, the episode was seen by an estimated 0.590 million household viewers and gained a 0.06 ratings share among adults aged 18–49. The episode received positive reviews from critics, who praised the performances and set-up for the finale, although some still felt unconvinced about the season's narrative choices.
We’ve got questions, and you’ve (maybe) got answers! With another week of TV gone by, we’re lobbing queries left and right about lotsa shows including Secret Invasion, Outlander, Justified ...
Justified: City Primeval episodes. ... Timothy Olyphant did briefly appear as a version of Raylan Givens for a quick cameo in Season 4 Episode 10 of The Good Place. Show comments.
Scott Tobias of The A.V. Club gave the episode a "B+" grade and wrote, "After two knockout episodes to kick off season four, Justified slips just a tad this week, as the season's two main storylines settle in, and begin to repeat their big beats. In terms of advancing the plot, 'Truth And Consequences' doesn't deliver much."
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