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The Entombment of Christ (c. 1633-1635) by Rembrandt The Entombment of Christ is an oil-on-oak panel painting by Rembrandt believed to be dated around c. 1624. It measures 32.2 x 40.5 cm. The composition is a variant of a painting of the same subject now in the Alte Pinakothek, in Munich. In 1783, the Scottish anatomist William Hunter bequeathed it to University College (now the University of ...
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 35.
The Raising of Lazarus, Rembrandt.Oil on panel. 37 15/16 x 32 in. (96.36 x 81.28 cm). c. 1630-1632. Los Angeles County Museum of Art. The Raising of Lazarus is an oil-on-panel painting by the Dutch artist Rembrandt from early in his career; it was probably painted between 1630 and 1632.
Rembrandt Year: c. 1633: Catalogue: A Corpus of Rembrandt Paintings VI, by the Rembrandt Research Project: #106: Medium: oil paint, canvas: Dimensions: 96.2 cm (37.9 in) × 72.2 cm (28.4 in) Collection: Bavarian State Painting Collections, Johann Wilhelm, Elector Palatine, Johann Wilhelm von der Pfalz collection Identifiers: RKDimages ID: 30853
It is, however, still connected with Rembrandt's workshop and is grouped together with all the other versions. It was included in the 2011 exhibition "Rembrandt and the Face of Jesus" held in the museums of Detroit (DIA), Philadelphia (PMA) and Paris (Louvre) April 21, 2011 – February 12, 2012, no. 46.
Christ on the Cross is a 1631 oil-on-canvas painting by Rembrandt, now in the Église Saint-Vincent in the French town of Le Mas-d'Agenais, Lot-et-Garonne. The inventory of Catharina Elisabeth Bode was made in Delft on 27 October 1703—she was the widow of Valerius Röver. It mentions "a piece of painterly invention [titled] Christ on the ...
This resulted in the creation of the sketch Christ's Appearance to Mary Magdalene at the Resurrection (brown paper, watercolour, whitewash, Italian pencil, 26.3 × 40 cm, State Tretyakov Gallery, Inventory No. 8600 ob.) [63] [64] [65] In comparison to the 1835 painting, the subsequent sketch evinces a greater sense of impetus and movement in ...
The lamentation over the dead Christ: c. 1635: Grisaille, paper on canvas; enlarged by another hand on a panel measuring 31.9 x 26.7 cm. 31.9 x 26.7: National Gallery, London The Woman Taken in Adultery: 1644: Oil on panel: 83.8 x 65.4: National Gallery, London Joseph's dream: 1645: Oil on panel: 20.7 x 27.8: Gemäldegalerie, Berlin: The Holy ...