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Eternal City (1934–1937) was politically charged, portraying Benito Mussolini as a jack-in-the-box emerging from the Colosseum; as a one-man, one-painting exhibition, it excited considerable attention from critics and audiences. [1] [5] This painting was inspired by Blume's trip to Italy which he took as a Guggenheim Fellow in 1932. [6]
The city of Rome; The city of Kyoto, Japan, specifically the historical Heian-kyō, dubbed Yorozuyo no Miya (万代宮, "The Eternal City") The Eternal City, a 1901 novel by Hall Caine; The Eternal City, a film based on the 1901 novel; The Eternal City, 1923 lost film directed by George Fitzmaurice based on the novel; The Eternal City, a 2008 film
Media in category "Paintings of David" This category contains only the following file. David and Goliath -1700s.jpg 1,280 × 914; 421 KB
The Eternal City is a partially lost film. The last two reels (28 minutes long) were rediscovered in 2006 by Italian film historian Giuliana Muscio in the archives of New York's Museum of Modern Art, and screened in 2014 at the Pordenone Silent Film Festival. [5]
"My Spy: The Eternal City" is light enough without being funny enough. Most of it is staged, by director Peter Segal ("Tommy Boy," "The Naked Gun 33 1/3"), in a kind of generic action overdrive.
David is a masterpiece of Italian Renaissance sculpture in marble [1] [2] created from 1501 to 1504 by Michelangelo.With a height of 5.17 metres (17 ft 0 in), the David was the first colossal marble statue made in the High Renaissance, and since classical antiquity, a precedent for the 16th century and beyond.
An early work by British artist David Hockney, a painting depicting his well-known pool motif and not seen in public for more than 40 years, is headed for auction with an estimate of around $20 ...
"This discovery in the City of David once again affirms the Jewish people's ongoing 3,000+ year-old bond with Jerusalem – not simply as a matter of faith, but as a matter of fact – from Bible ...