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In contrast to the adventurous chronicles of Elizabethan comedy, such as Thomas Dekker's The Shoemaker's Holiday (1599) or George Peele's The Old Wives' Tale (c. 1590), or the intricately plotted romantic comedies of Shakespeare and John Lyly, city comedy was more realistic (excluding magical or marvellous elements) and sharp and satirical in ...
During the reign of Elizabeth I (1558–1603) and then James I (1603–25), in the late 16th and early 17th century, a London-centred culture, that was both courtly and popular, produced great poetry and drama. The English playwrights were intrigued by Italian model: a conspicuous community of Italian actors had settled in London.
Twentieth-century theatre describes a period of great change within the theatrical culture of the 20th century, mainly in Europe and North America. There was a widespread challenge to long-established rules surrounding theatrical representation; resulting in the development of many new forms of theatre, including modernism, expressionism, impressionism, political theatre and other forms of ...
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
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As a literary genre of high culture, "heroic romance" or "chivalric romance" is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures , often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest .
Plays for entertainment (as opposed to religious enlightenment) returned to Europe's stages in the early modern period. William Shakespeare is the most notable of the early modern playwrighters, but numerous others made important contributions, including Pierre Corneille , Molière , Jean Racine , Pedro Calderón de la Barca , Lope de Vega and ...
The Greins worked continually to introduce European drama to London. They founded the German Theatre in London Programme in 1900, hosting German actors and directors such as Max Behrend and Hans Andresen in productions of German drama (performed in German). This programme lasted, in various forms, until 1908. [2]