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Façade of Palazzo Ducale San Giorgio Castle Details of Pisanello's frescoes in the "Hall of Pisanello". The Palazzo Ducale di Mantova ("Ducal Palace") is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duchy.
Floor tiles and marble shelves were moved in 1773 to the Palazzo Ducale in Mantua. Across a small corridor decorated with a fresco of the myth of Orpheus, one enters the duke's studiolo. Here ovals frame depictions of the cardinal virtues with dense decoration of classical images. Campi was aided in this regard by Carlo Urbino.
Mantua, Palazzo Ducale Mantua, Palazzo Te The Gonzaga Collection or Celeste Gallery (la Celeste Galeria) was the large collection of artworks commissioned and acquired by the House of Gonzaga in Mantua, Italy, exhibited for a time in the Palazzo Ducale, the Palazzo Te, the Palazzo San Sebastiano and other buildings in Mantua and elsewhere.
It was built between 1395 and 1406 on the ruins of the church of Santa Maria di Capo di Bove for Francesco I Gonzaga, to designs by Bartolino da Novara. Ludovico III Gonzaga gave over his rooms in the "Corte Vecchia" to pope Pius II for the Council of Mantua in 1459 - that year, he commissioned Luca Fancelli to rebuild the castle as a palazzo rather than as a defensible castle.
Internal view. The National Archaeological Museum of Mantua is an archaeological museum located in Mantua, Italy.It is located at the Palazzo Ducale and holds objects discovered from excavations in the surrounding territory.
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Botticelli was available but on the advice of Gian Cristoforo Romano and Lorenzo da Pavia Isabella refused him in favour of Perugino. The two rooms became a must-see for dignitaries visiting the city, although many of the objects shown there were small and at risk of theft - after Charles III of Bourbon-Montpensier 's entourage visited in 1509 ...
Lorenzo Leonbruno was adopted by the Mantuan court painter Giovanni Luca de' Liombini, and was raised as Liombini's own son. [4] Although there remains little extant documentation on his early life and artistic training, some of Leonbruno's early training is attributed to the workshop of Andrea Mantegna, who was a highly distinguished court painter for Lodovico Gonzaga and the Gonzaga family.