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"Frankenstein" is an instrumental track by the American rock band Edgar Winter Group that was featured in the 1972 album They Only Come Out at Night and additionally released as a single. The song topped the US Billboard Hot 100 chart for one week in May 1973, being replaced by Paul McCartney & Wings 's " My Love ".
They Only Come Out at Night is the debut studio album by American rock band The Edgar Winter Group, released in November 1972 by Epic Records. [3] [4] A commercial success, the album reached #3 on the US Billboard 200 chart and features the band's signature songs, "Frankenstein" and "Free Ride".
For The Threepenny Opera (a "play with songs") at the Olivier Theatre from May to October 2016, Kinnear found his "dormant" singing voice for the role of Macheath. [19] [20] In February 2017, he made his directing debut with The Winter's Tale, a new opera written by Ryan Wigglesworth and based on Shakespeare's play, for English National Opera. [21]
William Shakespeare: The Dire Straits songs makes use of certain aspects of Shakespeare's play, as well as elements of some of the play's stage and screen adaptations. It also purposely diverges from the play's plot and characterizations in certain respects (such as Juliet's reaction to being approached by Romeo). [179] "Rusty James" ¡Uno ...
The musical is based off a play of the same name written by Barbara Field (Harry's mother), and it takes a conversation between a dying Frankenstein and his creation, the Creature, at the grave of ...
Frankenstein – A New Musical is a stage musical adaptation of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, with music by Mark Baron and book and lyrics by Jeffrey Jackson, based on a story adaptation by Gary P. Cohen.
Playing Frankenstein: Cole Sprouse plays a version of the monster known as the Creature, a reanimated 19th century corpse. Cole Sprouse. (Leon Bennett/Getty Images) (Leon Bennett via Getty Images)
She played Elizabeth in the 2004 Joseph Wright's production of Frankenstein (based on the Mary Shelley classic) at the Derby Playhouse. Reviewer Alfred Hicklin says: "Sarah Wildor's willowy Elizabeth is particularly impressive, given that she has little to do but wring her hands in despair; the accomplishment of her gestural language is ...