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Agnes Bernice Martin RCA (March 22, 1912 – December 16, 2004) was an American abstract painter known for her minimalist style and abstract expressionism. [1] [2] Born in Canada, she moved to the United States in 1931, where she pursued higher education and became a U.S. citizen in 1950.
A catalogue raisonné is normally produced by the artist or by a committee of family members, experts or academics, collectively known as "producers". The catalogue ordinarily contains a list of characteristics of an artwork such as the title, year of production, dimensions, medium and a description of the work, alongside an image of the work.
The BBC investigators unearthed several lines of authenticity, including additional levels of provenance with photographic records of sale and forensically matching pigments and canvas to Renoir. The Bernheim-Jeune Gallery had approved the painting as genuine and have included it in Renoir's catalogue raisonné. The Wildenstein Institute ...
An example is the Monet: Catalogue Raisonné (ISBN 978-3-8228-8559-8), which is a four volume set published in 1996 with 2,580 illustrations in 1,540 pages. In this set, volume I is a biography and volumes II-IV contain a chronological listing of Monet's work; that is to say, volume II contains Wildenstein Index No. 1 produced in 1858 through ...
Bazille's Studio (L'atelier de Bazille) is an oil-on-canvas painting created in 1870 by the French Impressionist Frédéric Bazille (with contributions by Édouard Manet). The painting is also known as L'Atelier de la rue Condamine , [ 1 ] The Studio, and The Studio on the Rue La Condamine . [ 2 ]
Martin van Maële, La Grande Danse macabre des vifs, Charles Carrington, 1905. 40 drawings. New edition by Déesse, Nanterre, 1980. Martin van Maële, The satyrical drawings of Martin van Maële, Cythera Press, New York, 1970. Luc Binet, Martin Van Maele ou le diable se cache dans les détails. Catalogue raisonné, Humus, Lausanne, 2017.
Agnes Martin's film is about water, about countryside, flowers, nature, and mystery.' [24] The art critic Rosalind Krauss wrote about the film in her essay for the catalogue of the 1993 retrospective of Agnes Martin’s work (at the Whitney Museum of American Art , New York).
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