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"Feel the Funk"' is the title of an R&B single by Immature, later known as IMx. It was featured in the 1995 motion picture Dangerous Minds and appeared on the soundtrack and Immature's album We Got It. It was also a b-side to the UK release of the We Got It single. The song heavily samples the 1979 hit "Love Changes" by the band Mother's Finest.
"Never Lie" is a song by IMx (then known as Immature), issued as the lead single from the group's second album Playtyme is Over. The song was their biggest hit on the Billboard Hot 100, peaking at #5 in 1994. [2] It was certified gold on September 29, 1994, and sold 700,000 copies. [3] [4]
Immature (later known as IMx) is an American R&B boy band, managed by record producer Chris Stokes.Its members include Marques "Batman" Houston (born August 4, 1981), Jerome "Romeo" Jones (born October 25, 1981), and Kelton "LDB" Kessee (born January 2, 1981), all natives of Los Angeles, where the group was formed.
The song, released in 1991, asks Santa to please bring a space ship while riding a "bison sleigh." If you think about it, honestly, bison are just as unlikely as flying reindeer. So it all makes ...
"Constantly" is a song by IMx (then known as Immature), issued as the second single from the group's second album Playtyme Is Over. The song peaked at #16 on the Billboard Hot 100 in 1994. [3] It was also the group's second consecutive gold single, having been certified on March 28, 1995. [4] The official music video for the song was directed ...
On Our Worst Behavior is the debut album by American band Immature, released on September 22, 1992 on Virgin Records.It is also the only album to feature former member, Don "Half-Pint" Santos, who was replaced by Kelton "LDB" Kessee.
"Tear It Up (On Our Worst Behavior)" is the debut single by IMx (then credited as Immature). The song appeared on the soundtrack to the film Bebe's Kids and was later added to the group's debut studio album On Our Worst Behavior. It peaked at #29 on the Billboard R&B chart in 1992, being the only charted single of the album. [4]
This holds up especially true for electronic dance music festivals. EDM is notorious for being one of music’s largest boy’s club, with women making up just 11 percent of artists at electronic music festivals in 2015. And in 2014, just 18 percent of EDM labels included women on their rosters.