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Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]
Thus otonality and utonality can be viewed as extensions of major and minor tonality respectively. However, whereas standard music theory views a minor chord as being built up from the root with a minor third and a perfect fifth , a utonality is viewed as descending from what's normally considered the "fifth" of the chord, [ 9 ] so the ...
Tonality is the arrangement of pitches and / or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions, and directionality.. In this hierarchy, the single pitch or the root of a triad with the greatest stability in a melody or in its harmony is called the tonic.
Methods that establish the key for a particular piece can be complicated to explain and vary over music history. [citation needed] However, the chords most often used in a piece in a particular key are those that contain the notes in the corresponding scale, and conventional progressions of these chords, particularly cadences, orient the listener around the tonic.
Tonality (in music) – system of organizing musical compositions around a central pitch or tonic, defining the hierarchy of pitches and chords that gives music its sense of direction and resolution. Major Tonality – Music based on a major scale, often characterized by a bright, happy, or triumphant mood.
In this case, the IV chord in C major (F major) would be spelled F–A–C, the V/ii chord in C major (A major) spelled A–C ♯ –E, and the ii chord in C major (D minor), D–F–A. Thus the chromaticism, C–C ♯ –D, along the three chords; this could easily be part-written so those notes all occurred in one voice.
Because of the compromises (and wolf intervals) forced on meantone tunings by the one-dimensional piano-style keyboard, well temperaments and eventually equal temperament became more popular. Using standard interval names, twelve fifths equal six octaves plus one augmented seventh; seven octaves are equal to eleven fifths plus one diminished sixth.
In simple terms, within each octave, diatonic music uses only seven different notes, rather than the twelve available on a standard piano keyboard. Music is chromatic when it uses more than just these seven notes. Chromaticism is in contrast or addition to tonality or diatonicism and modality (the major and minor, or "white key", scales ...
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