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  2. Lydian chord - Wikipedia

    en.wikipedia.org/wiki/Lydian_chord

    Lydian chords may function as subdominants or substitutes for the tonic in major keys. [3] The compound interval of the augmented eleventh (enharmonically equivalent to ♯ 4, the characteristic interval of the Lydian mode) is used since the simple fourth usually only appears in suspended chords (which replace the third with a natural fourth, for example C sus4).

  3. List of popular music songs featuring Andalusian cadences

    en.wikipedia.org/wiki/List_of_popular_music...

    Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...

  4. Andalusian cadence - Wikipedia

    en.wikipedia.org/wiki/Andalusian_cadence

    Palos of flamenco. The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise – a iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1]

  5. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    Pages for logged out editors learn more. Contributions; Talk; ... Chord type Major: Major chord: Minor: Minor chord: ... Lydian chord: Play ⓘ 5-20: 0 4 7 e 6 ...

  6. Lydian mode - Wikipedia

    en.wikipedia.org/wiki/Lydian_mode

    The Lydian scale can be described as a major scale with the fourth scale degree raised a semitone, making it an augmented fourth above the tonic; e.g., an F-major scale with a B ♮ rather than B ♭. That is, the Lydian mode has the following formula:

  7. Lydian cadence - Wikipedia

    en.wikipedia.org/wiki/Lydian_cadence

    Lydian cadence (voice-leading) on E Play ⓘ. A Lydian cadence is a type of half cadence that was popular in the Ars nova style of the 14th and early 15th century. It is so-called because it evokes the Lydian mode based on its final chord as a tonic, and may be construed with the chord symbols VII ♯ 6

  8. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    IV-V-I-VI chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...

  9. Pitch axis theory - Wikipedia

    en.wikipedia.org/wiki/Pitch_axis_theory

    The chord progression from "Lie" by Dream Theater. The transition to the guitar solo in Dream Theater's "Lie" is built on Pitch Axis Theory. [citation needed] The bass and guitar play the root (B) while the keyboardist implies the chords in the progression: B5, Bm7, Bm6, G/B, A/B.

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