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13th; 14th; 15th; 16th; 17th; 18th; Pages in category "13th-century Italian painters" The following 47 pages are in this category, out of 47 total. ...
Madonna and Child, painting by Segna di Bonaventura, c. 1325-30, Honolulu Museum of Art. Segna di Bonaventura, also known as Segna de Bonaventura, and as Segna di Buonaventura, was an Italian painter of the Sienese School. He was active from about 1298 to 1331. [1]
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
It was the dominant style in Italian painting until the end of the 13th century, when Cimabue and Giotto began to take Italian, or at least Florentine, painting into new territory. But the style continued until the 15th century and beyond in some areas and contexts. [10]
Detail. Giotto's Crucifix is considered a fundamental work in the history of Italian art, as it deepens and renews the iconography of the Christus patiens introduced to the peninsula in the first half of the 13th century by Giunta Pisano.
The standard modern Italian language began in poetic and literary writings of Tuscan and Sicilian writers of the 12th century, and the grammar and core lexicon are basically unchanged from those used in Florence in the 13th century. [5] It was only in the 13th century that Italian authors began writing in their native language rather than Latin ...
Duccio di Buoninsegna (UK: / ˈ d uː tʃ i oʊ / DOO-chee-oh, [1] Italian: [ˈduttʃo di ˌbwɔninˈseɲɲa]; c. 1255–1260 – c. 1318–1319), commonly known as just Duccio, was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in ...
The Crucifix of Pisa is a painting of the crucifixion painted on wood panel, dating to sometime around 1230 and currently in the Museo nazionale di San Matteo, Pisa, Italy. Its anonymous author is referred to as the Byzantine Master of the Crucifix of Pisa. He was an Italian painter active in Pisa in the first half of the thirteenth century.
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