Search results
Results from the WOW.Com Content Network
In the years after Wilson's death the 10-play cycle has been referred to as The August Wilson Century Cycle [27] and as The American Century Cycle. [28] Two years before his death in 2005, Wilson wrote and performed an unpublished one-man play entitled How I Learned What I Learned about the power of art and the power of possibility. This was ...
In 1972 her mother died of breast cancer, and the four children went to live with a maternal aunt and uncle near Fresno. Romero met playwright August Wilson in 1990 when her Yale School of Drama teachers assigned her to design costumes for his play, The Piano Lesson. The couple married in 1994, and had one child, Azula Carmen Wilson.
Opening night, 1986. August Wilson’s play “Joe Turner’s Come and Gone,” Huntington Theatre Company in Boston. Patti Hartigan, a rising young critic and arts writer, took her seat for the ...
Joe Turner's Come and Gone is the second in a series of August Wilson's The Century Cycle, which chronicled the struggles and lives of African Americans in the 20th century. Joe Turner's Come and Gone is set in the second decade of the 20th century and chronicles the lives of a few freed former enslaved African Americans in the North and deals ...
August Wilson, the late Pulitzer Prize-winning playwright who chronicled the Black experience in America, gets a stirring biography from Patti Hartigan. Playwright August Wilson was ahead of his time.
Melinda Wilson, who helped resurrect the career of her husband and "Beach Boys" musician Brian Wilson, died at home in Beverly Hills on Tuesday at age 77.
King Hedley II is the ninth play in August Wilson’s ten-play cycle that, decade by decade, examines African American life in the United States during the twentieth century. Set in Pittsburgh, Pennsylvania in 1985, it tells the story of an ex-con in Pittsburgh trying to rebuild his life.
Gem of the Ocean (2003) is a play by American playwright August Wilson.Although the ninth play produced, chronologically it is the first installment of his decade-by-decade, ten-play chronicle, The Pittsburgh Cycle, dramatizing the African-American experience in the twentieth century.