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In modern Chinese culture, jianghu is commonly accepted as an alternative universe coexisting with the actual historical one in which the context of the wuxia genre was set. Unlike the normal world, in the jianghu , the youxia (wanderers or knights-errant) are free to act on their own initiative, including with violence, to punish evil and foes ...
The Gua Sha Treatment (Chinese: 刮痧; pinyin: guā shā) is a Chinese movie directed by Zheng Xiaolong released in 2001 starring Tony Leung Ka-Fai, Zhu Xu, and Jiang Wenli. It is a story about cultural conflicts experienced by a Chinese family in the United States. Misunderstanding caused by traditional Chinese medicine threatens to separate ...
Sang (simplified Chinese: 丧; traditional Chinese: 喪, lit. ' funeral, mourning ') is a term used to describe a Chinese youth sub-culture in which some young Chinese are seen to possess feelings of loss or even defeatism. Memes representing this view are widely shared reflecting feelings of disenchantment with the official discourse in post ...
Among Chinese dissidents and critics of the Chinese government, it's popular [according to whom?] to express internalized racist sentiments which are based on anti-Chinese sentiment, promoting the usage of pejorative slurs (such as shina or locust), [63] [64] [65] or displaying hatred towards the Chinese language, people, and culture.
Cranes are one of the symbols of longevity in Chinese culture; as such, they are often depicted together with a pine tree or a stone, or together with a tortoise or a deer. [ 1 ] : 86–87 [ 4 ] : 108 It is also customary for Chinese people to give the picture of a crane to elderly people on their birthdays as it symbolizes good health and ...
20-year-old Ruan Lingyu, a superstar during the silent film era, in Love and Duty (1931) [24]. The first truly important Chinese films were produced beginning in the 1930s with the advent of the "progressive" or "left-wing" movement, like Cheng Bugao's Spring Silkworms (1933), [25] Wu Yonggang's The Goddess (1934), [26] and Sun Yu's The Great Road, also known as The Big Road (1934). [27]
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The concept of martyrdom in China during the premodern period largely concerned loyalty to political principles and was developed in modern times by revolutionaries, such as the Tongmenghui and the Kuomintang parties during the Xinhai Revolution, Northern Expedition, and Second Sino-Japanese War.