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The most formal type of men's hakama, sendaihira hakama, are made of stiff, striped silk, usually black and white, or black and navy blue. These are worn with black montsuki kimono (kimono with one, three, or five family crests on the back, chest, and shoulders), white tabi (divided-toe socks), white nagajuban (under-kimono) and various types ...
Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
Tea ceremony fukusa are always made of silk. Tsukai fukusa are usually undecorated squares of silk used to ritually purify tea utensils during a temae (tea-making procedure). Those used by men are usually deep purple, while those used by women are usually red or orange. Other colours are sometimes used, as are fukusa decorated with images.
A linen handkerchief A lace handkerchief Morris dancers with handkerchiefs in Oxford. A handkerchief (/ ˈ h æ Å‹ k É™r tʃ ɪ f /; also called a hankie or, historically, a handkercher or a fogle [1]) is a form of a kerchief or bandanna, typically a hemmed square of thin fabric which can be carried in the pocket or handbag for personal hygiene purposes such as wiping one's hands or face, or ...
Many of the earlier designs are more gender-neutral and simpler in cut than later examples. Later garments incorporate multiple pieces with men commonly wearing pants and women commonly wearing skirts. Clothing for women usually accentuates the body's natural curves through wrapping of upper garment lapels or binding with sashes at the waist.
Imports of raw silk, silk yarn, and finished fabrics are all recorded, but the techniques of producing these textiles from the silkworm Bombyx mori remained a closely guarded secret of the Chinese until the Emperor of the East Justinian I (482–565) arranged to have silkworm eggs smuggled out of Central Asia in 553-54, [3] setting the stage ...
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