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Bomba reflects a syncretism of Puerto Rico’s many cultural groups. It incorporates Taíno instruments such as the maraca; characteristics from traditional European dances like rigadoons, quadrilles and mazurkas; and drum ensembles and drummer/dancer interactions that bear close resemblance to a number of West African musical styles.
The barriles de bomba are built from the wood of rum storage barrels and goatskin, adjusted with tourniquets, screws, cuñas or wedges. At least two drums are required to perform bomba music and dance: a Primo or subidor, the lead drum who follows the dancer, and the buleador, which keep a steady beat.
In Cuba, bombos are the largest drums played by the street comparsas in Santiago. In other countries, the term tambora is commonly used. The bombo should not be confused with the Puerto Rican bomba, a genre of music played with hand drums called barriles de bomba (bomba barrels), which are unrelated to the European bass drums.
The African people of the island used drums made of carved hardwood covered with untreated rawhide on one side, commonly made from goatskin. A popular word derived from creole to describe this drum was shukbwa, which translates to 'trunk of tree'. After the arrival of African slaves, Bomba became the music of the people. (Unfinished)
Cepeda was born in 1945 in Cataño, Puerto Rico, into a family deeply embedded in the cultural world of bomba y plena. Her grandparents, Doña Caridad Brenes Caballero and Rafael Cepeda Atiles, were renowned bomba practitioners, known as "Los Patriarcas de la Bomba y la Plena." Raised by her grandparents from the age of three months, Cepeda was ...
Bad Bunny chose to release his sixth solo album, “Debí Tirar Más Fotos” (“I Should Have Taken More Photos”), on Día de Reyes or Three Kings Day, the last of the winter holidays for ...
The drum is played in both single and compound duple meter and is typically accompanied by an ensemble of three guitars, a shaker, and vocals. The origins of bomba are disputed due to lack of written documentation, though it is known to have been created mostly by Afro-Ecuadorian slaves.
Viento de agua playing bomba drums. Viento de Agua is a contemporary bomba and plena band, created in New York City in 1997. Bomba and plena are musical genres within the Afro-Puerto Rican tradition. Their first album, De Puerto Rico al Mundo, was selected among the Top 10 Latin albums of the year by The New York Times.