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Vaudeville (/ ˈ v ɔː d (ə) v ɪ l, ˈ v oʊ-/; [1] French: ⓘ) is a theatrical genre of variety entertainment which began in France at the end of the 19th century. [2] A Vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs ...
This is a partial list of vaudeville performers. Inclusion on this list indicates that the subject appeared at least once on the North American vaudeville stage during its heyday between 1881 and 1932. The source in the citation included with each entry confirms their appearance and cites information in the performance notes section.
This is a partial list of vaudeville performers. Inclusion on this list indicates that the subject appeared at least once on the North American vaudeville stage during its heyday between 1881 and 1932. The source in the citation included with each entry confirms their appearance and cites information in the performance notes section.
Black Vaudeville is a term that specifically describes Vaudeville-era African American entertainers and the milieus of dance, music, and theatrical performances they created. Spanning the years between the 1880s and early 1930s, these acts not only brought elements and influences unique to American black culture directly to African Americans ...
Vaudeville was known for being more condensed in attempts to reaching out to the American middle class. [3] Because of its theaters, affordable housing, receptive audience, and recreational activities, Los Angeles became a favorite city for Vaudeville performers. This shift of theatre towards the West began the start of "Vaudeville-only ...
Stand-up comedy has roots in various traditions of popular entertainment of the late 19th century, including vaudeville, the stump-speech monologues of minstrel shows, dime museums, concert saloons, freak shows, variety shows, medicine shows, American burlesque, English music halls, circus clown antics, Chautauqua, and humorist monologues like those delivered by Mark Twain in his first (1866 ...
George Walker, Adah Overton Walker, and Bert Williams in In Dahomey (1903), the first Broadway musical to be written and performed by African Americans. Bert Williams (November 12, 1874 – March 4, 1922) was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the vaudeville era and one of the most popular comedians for all audiences of his time. [1]
One feature of the comédie en vaudevilles which later found its way into opera was the vaudeville final, a strophic finale in which the characters assemble at the end of the piece with each singing a short verse, often ending with a refrain which everyone would sing, and a final verse with the entire ensemble joining in. Typically the first verse provides the moral of the story, while the ...