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The traditional harmonica for blues playing was the Hohner Marine Band, which was affordable and easily obtainable in various keys even in the rural American South, and since its reeds could be "bent" (see below) without deteriorating at a too rapid rate. A diatonic harmonica is designed to ease playing in one diatonic scale. Here is a standard ...
Its 11-hole mouthpiece can slide along the front of the harmonica, which gives numerous chord choices and voicings (seven triads, three 6th chords, seven 7th chords, and seven 9th chords, for a total of 24 chords). As well, it is capable of playing single-note melodies and double stops over a range of three diatonic octaves.
A tremolo harmonica Pitch range for Tremolo Harmonica (common east Asia). A tremolo harmonica is a type of diatonic harmonica, distinct by having two reeds per note.In a tremolo harmonica, the two reeds are tuned slightly off a reference pitch, one slightly sharp and the other slightly flat.
The Richter-tuned harmonica, 10-hole harmonica (in Asia) or blues harp (in America), is the most widely known type of harmonica. It is a variety of diatonic harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three- octave range.
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion).It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown.
While the chromatic harmonica is capable of playing in all keys, it does have limitations. [5] For example, while chromatic harmonicas can "bend" notes down in pitch, as a single-reed bend it sounds quite different from the typical dual-reed bend of a blues harp, and can only bend downward by a semi-tone.
Solo tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion) to fit a pattern where blow notes repeat a sequence of C E G C (perhaps shifted to begin with E or with G) and draw notes follow a repeating sequence of D F A B (perhaps correspondingly shifted).
Notes on the Steirische Harmonika are laid out to make it easy to play music with the tonality characteristic of alpine folk music, but make it difficult to play according to modern musical notation. To help aid playing the Steirische Harmonika, the Verlag Helbling publishers patented in 1916 a tablature , which no longer is in current use.
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