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"Little Miss Muffet" is an English nursery rhyme of uncertain origin, first recorded in 1805. It has a Roud Folk Song Index number of 20605. The rhyme has for over a century attracted discussion as to the proper meaning of the word tuffet .
Sing a Song Of Sixpence (Trad) Once I Caught A Fish Alive (Trad) Medley: Hey Diddle Diddle/Little Jack Horner/Little Miss Muffet (Trad) Little Bo Peep (Trad) Mary Mary Quite Contrary (Trad) Old MacDonald Had A Farm (Trad) There Was an Old Woman Tossed Up In A Blanket (*) (Trad) Twinkle Twinkle Little Star (Unknown)
Noah Lindsey Beery (August 10, 1913 – November 1, 1994) was an American actor often specializing in warm, friendly character roles similar to many portrayed by his Oscar-winning uncle, Wallace Beery. Unlike his more famous uncle, however, Beery Jr. seldom broke away from playing supporting roles.
"Hush-a-bye baby" in The Baby's Opera, A book of old Rhymes and The Music by the Earliest Masters, ca. 1877. The rhyme is generally sung to one of two tunes. The only one mentioned by the Opies in The Oxford Book of Nursery Rhymes (1951) is a variant of Henry Purcell's 1686 quickstep Lillibullero, [2] but others were once popular in North America.
The Muppet Movie: Original Soundtrack Recording is the soundtrack album from the 1979 film, The Muppet Movie, featuring the songs and select score written by Paul Williams and Kenneth Ascher. [3] Originally released on LP by Atlantic Records in North America and by CBS internationally, the album reached No. 32 on the Billboard 200 , and was ...
"You Must Have Been a Beautiful Baby" is a popular song with music by Harry Warren and lyrics by Johnny Mercer, written in 1938 for the Warner Brothers movie Hard to Get, released November 1938, in which it was sung by Dick Powell.
Some songs were extended for the albums Rocket to the Stars and Music is Everywhere. [22] The songs mainly compose kiddie lyrics and familiar music genres. [32] Themes of the songs include individuality, friendship, and art. [33] During the first season, the show incorporated a "doo-wop feel" of the theme song to carry over the music. [28]
Harold Arlen described the song as "another typical Arlen tapeworm" – a "tapeworm" being the trade slang for any song which went over the conventional 32-bar length. He called it "a wandering song. [Lyricist] Johnny [Mercer] took it and wrote it exactly the way it fell. Not only is it long – fifty-eight bars – but it also changes key.