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The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
The Arkesilas Painter primarily painted cups. He mainly painted symposion scenes and images from Greek mythology. The latter are dominated by depictions of Herakles, the amazons, Atlas and Prometheus. The latter two figures occur together on a single vase. [1] Apart from figural painting, he also ascribed vases bearing merely ornamental decoration.
The lower body is shaped like the calyx of a flower, and the foot is stepped. The psykter-shaped vase fits inside it so well stylistically that it has been suggested that the two might have often been made as a set. It is always made with two robust upturned handles positioned on opposite sides of the lower body or "cul". [7]
Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens. [1]
At Athens researchers have found the earliest known examples of vase painters signing their work, the first being a dinos by Sophilos (illus. below, BM, c. 580), this perhaps indicative of their increasing ambition as artists in producing the monumental work demanded as grave markers, as for example with Kleitias's François Vase.
Some potters enriched again the decorative organization of the vases, stabilized the forms of the animals in the areas of the neck and the base of the vase, and introduced the human form between the handles. The late Geometric period was marked by a 1.62 metres (5 ft 4 in) amphora that was made by the Dipylon painter in around 760–750 BC. [17]
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The vases have been described as the "best-known porcelain vases in the world" [1] and among the most important blue-and-white Chinese porcelains. [2] Though they are fine examples of their type, their special significance comes from the date in the inscriptions on the vases. [1]
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