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The Complete Works of William Shakespeare is the standard name given to any volume containing all the plays and poems of William Shakespeare.Some editions include several works that were not completely of Shakespeare's authorship (collaborative writings), such as The Two Noble Kinsmen, which was a collaboration with John Fletcher; Pericles, Prince of Tyre, the first two acts of which were ...
Hamlet is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others". [1] It is widely considered one of the greatest plays of all time. [2]
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
Shakespeare is thought to have written Act I, scenes i and ii; II, ii and iv; III, ii, lines 1–203 (to exit of King); V, i. King John: 1595–1598 [42] First known performance at Covent Garden Theatre on 26 February 1737 but doubtlessly performed as early as the 1590s. Richard II: Richard III: Around 1593. [43] First published in a quarto in ...
[2] This version has been argued to have been a bad quarto, a tourbook copy, or an initial draft. By the 1604 Second Quarto, the speech is essentially present but punctuated differently: What piece of work is a man, how noble in reason, how infinite in faculties, in form and moving,
He then wrote mainly tragedies until 1608, among them Hamlet, Othello, King Lear and Macbeth, all considered to be among the finest works in English. [3] [4] [5] In the last phase of his life, he wrote tragicomedies (also known as romances) such as The Winter's Tale and The Tempest, and collaborated with other playwrights.
In the discussion of Macbeth, it is Macbeth's unity of character that is significant. [302] In many chapters, he emphasises the dominant mood, a unifying theme, the "character" of the play as a whole. [303] In, again, Macbeth, the entire play "is done upon a stronger and more systematic principle of contrast than any other of Shakespear's plays."
30 Julius Caesar * – set from a prompt-book, or a transcript of a prompt-book; 31 Macbeth * – probably set from a prompt-book, perhaps detailing an adaptation of the play for a short indoor performance; 32 Hamlet – one of the most difficult problems in the First Folio: probably typeset from some combination of Q2 and manuscript sources