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The compression of expression that they achieved by following the Greek example complemented the proto-Imagist interest in Japanese poetry, and, in 1912, during a meeting with them in the British Museum tea room, Pound told H.D. and Aldington that they were Imagistes and even appended the signature H.D. Imagiste to some poems they were discussing.
Phanopoeia or phanopeia is defined as "a casting of images upon the visual imagination," [1] throwing the object (fixed or moving) on to the visual imagination. In the first publication of these three types, Pound refers to phanopoeia as "imagism."
Modernist poetry is a broad term for poetry written between 1890 and 1970 in the tradition of Modernist literature. [ 43 ] [ 44 ] Schools within it include already 20th-century Acmeist poetry , Imagism , Objectivism , and the British Poetry Revival .
Smith went on to give a definition of imagism: "The imagist seeks with perfect objectivity and impersonality to recreate a thing or arrest an experience as precisely and vividly and simply as possible." [17] Smith wrote a number of "Imagist poems" to illustrate the theory, the best known of which is "The Lonely Land".
The poem represents an early stage in Williams' development as a poet. It focuses on the objective representation of objects, in line with the Imagist philosophy that was ten years old at the time of the poem's publication. The poem is written in a brief, haiku-like free-verse form. [3]
"In a Station of the Metro" is an Imagist poem by Ezra Pound published in April 1913 [1] in the literary magazine Poetry. [2] In the poem, Pound describes a moment in the underground metro station in Paris in 1912; he suggested that the faces of the individuals in the metro were best put into a poem not with a description but with an "equation".
For example, handrails on both sides of a set of stairs, non-slip mats in the shower or bath, grab bars next to toilets, and shower seats can all be beneficial in preventing falls when used.
In late 1908 Hulme delivered his paper A Lecture on Modern Poetry to the club. Hulme's poems "Autumn" and "A City Sunset", both published in 1909 in a Poets' Club anthology, [12] have the distinction of being the first Imagist poems. [13] A further five poems were published in The New Age in 1912 as The Complete Poetical Works of T. E. Hulme. [14]