Search results
Results from the WOW.Com Content Network
Riding a wave of controversy, Kurt & Courtney opened in one North American theatre on 27 February 1998, where it grossed $16,835 in its opening weekend. The film's final $668,228 [16] gross was respectable considering the film's limited release (only 12 theatres at its widest point), independent distribution, documentary nature, and mixed reviews.
The album received three out of five stars from AllMusic's Stephen Thomas Erlewine, who praised some of the performance and fun of the album but concluded, "As they're both charismatic singers with a way with an elliptical melody, it's pleasant enough, but by the time its 45 minutes wrap up, Lotta Sea Lice feels like a party where the hosts are having a much better time than their guests."
Nirvana: Flower Sniffin', Kitty Pettin', Baby Kissin' Corporate Rock Whores was a book written by Victoria Clarke and Britt Collins in 1992–93 about American rock band Nirvana and in particular the band leader Kurt Cobain and his wife Courtney Love. Cobain and Love opposed the publication of the book and Nirvana's management company filed a ...
PLAYBACK: The Seattle grunge band performed on MTV Unplugged in a funereal setting of lit candles and white lilies. Mark Beaumont chronicles the troubled days leading up to the show, during which ...
A live version, from the band's headlining appearance at the 1992 Reading Festival in Reading, England, appeared on Live at Reading, released on CD and DVD in November 2009. A live version, recorded on December 13, 1993, at Pier 48 in Seattle, Washington for MTV, was released on the live video Live and Loud in September 2013.
Farewell, Kurt". [16] On April 24, 2020, "Frances Farmer Will Have Her Revenge on Seattle" was performed as the opening song on a virtual Nirvana tribute concert by American musician, Post Malone. The 15-song concert was livestreamed on YouTube, and raised more than $4 million for the COVID-19 Solidarity Response Fund. [17] [18]
Second to only Kanye West vs. Taylor Swift, the biggest feud in VMAs history occurred between Nirvana's Kurt Cobain and Guns N’ Roses' Axl Rose, who represented two polar-opposite worldviews in ...
In a review for Billboard by Chris Morris, he said that "A wizardly combination of smart journalism and intelligent analysis, "Come As You Are" is as good as rock bios get". [10] Entertainment Weekly gave the book an 'A' rating, writing that it "delivers the goods". [11] People called it "a fascinating study of Cobain". [12]