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A traditional false-color satellite image of Las Vegas. Grass-covered land (e.g. a golf course) appears in red. In contrast to a true-color image, a false-color image sacrifices natural color rendition in order to ease the detection of features that are not readily discernible otherwise – for example the use of near infrared for the detection of vegetation in satellite images. [1]
Early color infrared films were developed in the older E-4 process, but Kodak later manufactured a color transparency film that could be developed in standard E-6 chemistry, although more accurate results were obtained by developing using the AR-5 process. [40] Like HIE, EIR uses a clear polyester film base and must be loaded in complete darkness.
Demosaicing (or de-mosaicing, demosaicking), also known as color reconstruction, is a digital image processing algorithm used to reconstruct a full color image from the incomplete color samples output from an image sensor overlaid with a color filter array (CFA) such as a Bayer filter. It is also known as CFA interpolation or debayering.
Color negatives may also be digitally scanned and then printed by photographic or non-photographic means, or viewed as positives electronically. Unlike reversal-film transparency processes, negative-positive processes are, within limits, forgiving of incorrect exposure and poor color lighting, because printing allows considerable correction.
A false color photograph with ultraviolet radiation (335-365nm) mapped to the blue channel, green light (500-600nm) to the green channel and infrared radiation (720-850nm) to the red channel. Ultraviolet photography is a photographic process of recording images by using radiation from the ultraviolet (UV) spectrum only. Images taken with ...
A typical chromogenic color film development process can be described from a chemical standpoint as follows: Exposed silver halide oxidizes the developer. [6] The oxidized developer then reacts with color couplers, [ 6 ] which are molecules near the exposed silver halide crystals, [ 6 ] to create color dyes [ 6 ] which ultimately create a ...
The Zone System is a photographic technique for determining optimal film exposure and development, formulated by Ansel Adams and Fred Archer. [1] Adams described the Zone System as "[...] not an invention of mine; it is a codification of the principles of sensitometry, worked out by Fred Archer and myself at the Art Center School in Los Angeles, around 1939–40."
For example, Ansel Adams used darkroom exposure techniques to darken and lighten photographs. Other techniques include retouching using ink or paint, airbrushing, double exposure, piecing photos or negatives together in the darkroom, and scratching instant films. Software for digital image manipulation ranges from casual to professional skillsets.