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A traditional false-color satellite image of Las Vegas. Grass-covered land (e.g. a golf course) appears in red. In contrast to a true-color image, a false-color image sacrifices natural color rendition in order to ease the detection of features that are not readily discernible otherwise – for example the use of near infrared for the detection of vegetation in satellite images. [1]
Turner was born in 1873 in Clevedon, North Somerset, UK. [2] In later life, Raymond and his wife Edith lived near the centre of Hounslow in West London. Some of Turner's colour film experiments were carried out in the back garden of this house in Montague Road and showed his three young children, Alfred, Agnes and Wilfrid.
The color boom was aided by the breakup of Technicolor's near-monopoly on the medium. The last stand of black-and-white films made by or released through the major Hollywood studios came in the mid-1960s, after which the use of color film for all productions was effectively mandatory and exceptions were only rarely and grudgingly made.
An RCA Victor Color TV ad featuring milliner Lilly Daché in 1959. Color television (American English) or colour television (Commonwealth English) is a television transmission technology that includes color information for the picture, so the video image can be displayed in color on the television set.
Additive color was practical because no special color stock was necessary. Black-and-white film could be processed and used in both filming and projection. The various additive systems entailed the use of color filters on both the movie camera and projector. Additive color adds lights of the primary colors in various proportions to the ...
The color killer is actually a muting circuit in the chroma section which supervises the burst and turns off the color processing if no burst is received (i.e. when the received signal is monochromatic.) [2] The main purpose of the color burst in the first place is a reference for the receiver to regenerate the chroma subcarrier, which in turn ...
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