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' long-ears' or 'neighing aloud' ') [1] is a seven-headed flying horse, created during the churning of the ocean. It is considered the best of horses, as prototype and king of the horses. [1] Uchchaihshravas is often described as a vahana of Indra, but is also recorded to be the horse of Bali, the king of the asuras.
'Kala Ghoda signage' Kala Ghoda (IPA:Kāḷā Ghōḍālit. ' Black Horse ') is a crescent-shaped art district/neighborhood in Mumbai, India. [1] It hosts several of the city's heritage buildings including museums, art galleries and educational institutions like the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, the Jehangir Art Gallery, the National Gallery of Modern Art, and The Arts Trust ...
John E. Ferneley (18 May 1782 Thrussington, Leicestershire – 1860 Melton Mowbray, Leicestershire), was an English painter who specialised in portraying sporting horses and hunting scenes. Although his rendition of horses was stylised, he is regarded as one of the great British equine artists, second perhaps only to George Stubbs .
The seven horses are named after the seven meters of Sanskrit prosody: Gayatri, Brihati, Ushnih, Jagati, Trishtubha, Anushtubha and Pankti. The Brihat Samhita of Varaha Mihira ( c. 505–587 ), a Hindu text that describes architecture, iconography and design guidelines, states that Surya should be shown with two hands and wearing a crown.
The image of mohini on one of the pillars in the mantapa (closed hall) of the Chennakeshava temple is an example of Chola art. [ 14 ] General life themes are portrayed on wall panels such as the way horses were reined, the type of stirrup used, the depiction of dancers, musicians, instrumentalists, and rows of animals such as lions and ...
The image is divided into light and dark parts. The upper left corner is illuminated, directing attention to a clear figure of a woman and the horse's mouth. The right side of the painting shows whirled darkness in which the horse's hind and tail can be seen.
Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
The female figure is painted from mast upwards holding a bowl in her hand. Similar depiction of female figure with tree representing it as presiding deity was a notable feature during the Sunga period as seen in the image of "Salabhanvka" in the railing pillars. [26] In most paintings of Kalpavriksha Shiva and Parvati are a common feature.
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