Search results
Results from the WOW.Com Content Network
Ring-and-spring microphones, such as this Western Electric microphone, were common during the electrical age of sound recording c. 1925–45.. The second wave of sound recording history was ushered in by the introduction of Western Electric's integrated system of electrical microphones, electronic signal amplifiers and electromechanical recorders, which was adopted by major US record labels in ...
Until the mid-1960s, record companies mixed and released most popular music in monophonic sound. From mid-1960s until the early 1970s, major recordings were commonly released in both mono and stereo. Recordings originally released only in mono have been rerendered and released in stereo using a variety of techniques from remixing to pseudostereo.
Electrical recording was developed by Western Electric, although a primitive electrical process was developed by Orlando R. Marsh, owner and founder of Autograph Records. Western Electric demonstrated their process to the two leading recording companies, Victor and Columbia , who were initially unwilling to adopt it because they thought it ...
The film's title sequence begins with a series of cards announcing that “In 1925 the invention of electrical sound recording revolutionized the phonograph industry.In 1926 this equipment was taken across America to record rural music for the very first time – blues, gospel, Cajun, country, Hawaiian, Native American and more…Only a few of these machines were made, and none are known to ...
Orlando R. Marsh (August 6, 1881 – September 7, 1938) [1] was an electrical engineer raised in Wilmette, Illinois. [2] In early 1920s Chicago, Illinois he pioneered electrical recording of phonograph discs with microphones when acoustic recording with horns was commonplace.
Electrical transcriptions are special phonograph recordings made exclusively for radio broadcasting, [1] which were widely used during the "Golden Age of Radio". They provided material—from station-identification jingles and commercials to full-length programs—for use by local stations, which were affiliates of one of the radio networks.
Since the early 1920s, various people have developed this method. The same optoelectronic method also allows for the first time the post-processing of recorded music to sound recordings of it. The director Carl Froelich (1875–1953) turns "The Night Belongs to Us", the first German sound film.
His next two records were released in 1923 and 1924, but only after the summer of 1923, when Fiddlin' John Carson's recordings on Okeh Records kicked off a boom in old-time country music record sales. In 1925, Victor started using a new electrical recording process, but Robertson's 1922 acoustically made recordings continued to be made ...