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The first jazz recording was made by Sidney Bechet in 1954 under the title "La Complainte de Mackie". Louis Armstrong's 1955 version established the song's popularity in the jazz world. [135] It is also known as "The Ballad of Mack the Knife". [135] "Nagasaki" [136] is a jazz song composed by Harry Warren with lyrics by Mort Dixon.
Characterized by electronic instruments, riffs, and extended solos. 1970s -> Jazz poetry: 1920s -> Jazz pop: Jazz rap: Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism.
This is an A–Z list of jazz tunes, which includes jazz standards, pop standards, and film song classics which have been sung or performed in jazz on numerous occasions and are considered part of the jazz repertoire. For a chronological list of jazz standards with author details, see the lists in the box on the right.
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
Among the genre's songs that are now considered standards are Bonfá's "Manhã de Carnaval" (1959), Marcos Valle's "Summer Samba" (1966), and numerous Jobim songs, including "Desafinado" (1959), "The Girl from Ipanema" (1962) and "Corcovado" (1962). The jazz fusion movement fused jazz with other musical styles, most famously funk and rock. Its ...
Bing Crosby performed the song in the film, and his recording with the Gus Arnheim Orchestra became his first solo hit and helped him get a contract for his first radio show. [46] The first jazz vocalist to record the song was Louis Armstrong in 1931. [46] Thelonious Monk recorded it as the sole standard on his 1956 album Brilliant Corners. [46]
Notable live radio transcriptions of the song also exist, such as Basie's November 3, 1937 performance of the song at the Meadowbrook (Cedar Grove NJ). [2] Later, Basie recorded the song for Columbia in 1942 and 1950 and on a number of occasions in the fifties. "One O'Clock Jump" became the theme song of the Count Basie Orchestra. They used it ...
The Grammy Award for Best Jazz Performance has been awarded since 1959. Before 1979 the award title did not specify instrumental performances and was presented for instrumental or vocal performances. Before 1979 the award title did not specify instrumental performances and was presented for instrumental or vocal performances.
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