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The Buddhist cosmology is not a literal description of the shape of the universe; [2] rather, it is the universe as seen through the divyacakṣus (Pali: dibbacakkhu दिब्बचक्खु), the "divine eye" by which a Buddha or an arhat can perceive all beings arising (being born) and passing away (dying) within various worlds; and can ...
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
Yāma is the third of the six heavenly worlds of the desire realm in Buddhist cosmology. It is located between Trāyastriṃśa and Tushita. This world is variously translated as "wonderful times", "virtuous", "excellent times" or "of the hours." [1] It is said that the Yāma heaven is always illuminated so that there is no division of day and ...
Bhutanese thangka of Mt. Meru and the Buddhist universe (19th cent., Trongsa Dzong, Trongsa, Bhutan).. Mount Meru (Sanskrit/Pali: मेरु)—also known as Sumeru, Sineru or Mahāmeru—is a sacred, five-peaked mountain present within Hindu, Jain and Buddhist cosmologies, revered as the centre of all physical, metaphysical and spiritual universes. [1]
The ten realms are part of Buddhist cosmology and consist of four higher realms and six lower realms derived from the Indian concept of the six realms of rebirth. [3]These realms can also be described through the degrees of enlightenment that course through them. [4]
The pre-Buddhist dharmachakra (Pali: dhammacakka) is considered one of the ashtamangala (auspicious signs) in Hinduism and Buddhism and often used as a symbol of both faiths. [ 16 ] [ note 3 ] It is one of the oldest known Indian symbols found in Indian art , appearing with the first surviving post- Indus Valley Civilisation Indian iconography ...
Despite its cosmic meanings a yantra is a reality lived. Because of the relationship that exists in the Tantras between the outer world (the macrocosm) and man's inner world (the microcosm), every symbol in a yantra is ambivalently resonant in inner–outer synthesis, and is associated with the subtle body and aspects of human consciousness. [6]
In Mahayana Buddhism, dharmadhatu means "realm of all phenomena", "realm of all things" (the entire universe with all visible and invisible things) or "realm of eternal truth". It is referred to by several analogous terms from Mahayana Buddhist philosophy, such as Tathata (Reality "as-it-is"), emptiness, dependent co-arising and eternal Buddha ...