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Bi-amping is the use of two channels of amplification to power each loudspeaker within an audio system. Tri-amping is the practice of connecting three channels of amplification to a loudspeaker unit: one to power the bass driver ( woofer ), one to power the mid-range and the third to power the treble driver ( tweeter ).
A DJ gets his decks ready as the speaker cabinets are set up and readied for a dance event. A challenge with designing sound systems for clubs is that the sound system may need to be used for both prerecorded music played by DJs and live music. A club system designed for DJs needs a DJ mixer and space for record players. In contrast, a live ...
A stage monitor system is a set of performer-facing loudspeakers called monitor speakers, stage monitors, floor monitors, wedges, or foldbacks on stage during live music performances in which a sound reinforcement system is used to amplify a performance for the audience. The monitor system allows musicians to hear themselves and fellow band ...
The term backline is used in popular music and sound reinforcement system contexts to refer to electronic audio amplification equipment and speaker enclosures that are placed behind the band or the rhythm section on stage, including amplifiers and speaker cabinets for guitars, bass guitars and keyboards. Such equipment is often rented or leased ...
The only people there were Lou and two engineers. Lou rigged up the Leslie organ sound for the vocals, and that was it." [65] Adler also used the effect on the simultaneously released "He Don't Love Me" by Shelley Fabares. [65] Wilson himself used the effect on the guitar sound for the Beach Boys' July 1965 song "You're So Good to Me". [67]
This is a history of the equipment that the English rock band The Who used. It also notes their influence on the instruments of the time period. As their sound developed with each album, and their audience expanded with each tour, John Entwistle and Pete Townshend, supported by sound engineer Bob Pridden, became known for constantly changing their stage equipment.
Not all churches can boast a full SATB choir, and a repertoire of one-, two- and three-part music is more suitable for many parish church choirs, a fact which is recognised in the current work of the Royal School of Church Music. Anglican churches also frequently draw upon the musical traditions of other Christian denominations.
Higher-quality digital organ builders use custom audio and speaker systems and may provide from 8 to 32 or more independent channels of audio, depending on the size of the organ and the budget for the instrument. With dedicated high-power subwoofers for the lowest frequencies, digital organs can approach the physical sensation of a pipe organ.
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