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Bi-amping is the use of two channels of amplification to power each loudspeaker within an audio system. Tri-amping is the practice of connecting three channels of amplification to a loudspeaker unit: one to power the bass driver ( woofer ), one to power the mid-range and the third to power the treble driver ( tweeter ).
A DJ gets his decks ready as the speaker cabinets are set up and readied for a dance event. A challenge with designing sound systems for clubs is that the sound system may need to be used for both prerecorded music played by DJs and live music. A club system designed for DJs needs a DJ mixer and space for record players. In contrast, a live ...
This is a history of the equipment that the English rock band The Who used. It also notes their influence on the instruments of the time period. As their sound developed with each album, and their audience expanded with each tour, John Entwistle and Pete Townshend, supported by sound engineer Bob Pridden, became known for constantly changing their stage equipment.
An A/B sound system is a type of sound reinforcement system or public address system. Unlike a more typical sound reinforcement system, an A/B sound system provides two electrically isolated signal paths from microphone to speaker, resulting in a system where signals from two microphones only interact acoustically and never interact electronically.
The Leslie speaker is a combined amplifier and loudspeaker that projects the signal from an electric or electronic instrument and modifies the sound by rotating a baffle chamber ("drum") in front of the loudspeakers. A similar effect is provided by a rotating system of horns in front of the treble driver.
A stage monitor system is a set of performer-facing loudspeakers called monitor speakers, stage monitors, floor monitors, wedges, or foldbacks on stage during live music performances in which a sound reinforcement system is used to amplify a performance for the audience. The monitor system allows musicians to hear themselves and fellow band ...
The term backline is used in popular music and sound reinforcement system contexts to refer to electronic audio amplification equipment and speaker enclosures that are placed behind the band or the rhythm section on stage, including amplifiers and speaker cabinets for guitars, bass guitars and keyboards. Such equipment is often rented or leased ...
Not all churches can boast a full SATB choir, and a repertoire of one-, two- and three-part music is more suitable for many parish church choirs, a fact which is recognised in the current work of the Royal School of Church Music. Anglican churches also frequently draw upon the musical traditions of other Christian denominations.
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