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Innocence can imply lesser experience in either a relative view to social peers, or by an absolute comparison to a more common normative scale. In contrast to ignorance, it is generally viewed as a positive term, connoting an optimistic view of the world, in particular one where the lack of wrongdoing stems from a lack of knowledge, whereas wrongdoing comes from a lack of knowledge in children.
Salad days" is a Shakespearean idiom referring to a period of carefree innocence, idealism, and pleasure associated with youth. The modern use describes a heyday, when a person is/was at the peak of their abilities, while not necessarily a youth.
Fallen woman" is an archaic term which was used to describe a woman who has "lost her innocence", and fallen from the grace of God. In 19th-century Britain especially, the meaning came to be closely associated with the loss or surrender of a woman's chastity [2] and with female promiscuity.
The ingénue (UK: / ˈ æ̃ ʒ ə nj uː,-ʒ eɪ n-/, US: / ˈ æ n (d) ʒ ə nj uː, ˈ ɑː n-/, French: ⓘ) is a stock character in literature, film and a role type in the theater, generally a girl or a young woman, who is endearingly innocent. Ingénue may also refer to a new young actress or one typecast in such roles.
Models of childhood have changed, evolved and overlapped throughout time. The use of these models in children's literature can offer opportunity for critical analysis of the representation of childhood in literature over time. [20] The Romantic Child: children portrayed as being more virtuous and insightful than adults and embodying innocence.
Romanticism in Spanish literature developed a well-known literature with a huge variety of poets and playwrights. The most important Spanish poet during this movement was José de Espronceda . After him there were other poets like Gustavo Adolfo Bécquer , Mariano José de Larra and the dramatists Ángel de Saavedra and José Zorrilla , author ...
"The Clod and the Pebble" is the exemplification of Blake's statement at the beginning of Songs of Innocence and of Experience that it is the definition of the "Contrary States of the Human Soul". It shows two contrary types of love. The poem is written in three stanzas. [2]
The theme of the intrapsychic struggle between innocence and guilt is manifested, in idiosyncratic forms, in many of the characters in the novel. The character of General Ivolgin, for example, constantly tells outrageous lies, but to those who understand him (such as Myshkin, Lebedyev, and Kolya) he is the noblest and most honest of men. [32]