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José de Sousa Saramago GColSE GColCa (European Portuguese: [ʒuˈzɛ ðɨ ˈsozɐ sɐɾɐˈmaɣu]; 16 November 1922 – 18 June 2010) was a Portuguese writer. He was the recipient of the 1998 Nobel Prize in Literature for his "parables sustained by imagination, compassion and irony [with which he] continually enables us once again to apprehend an elusory reality."
Love of Perdition) is a 1978 Portuguese film directed by Manoel de Oliveira. [1] Amor de Perdição is conceived as a succession of "live images" shot with a camera, in still shots, mostly in studio décor, with few outside views. The image composition is quite careful, in keeping with such deliberate artificialism, sometimes with ...
Rio, I Love You (Portuguese: Rio, Eu Te Amo) is a 2014 Brazilian anthology film starring an ensemble cast of actors of various nationalities. It's the fourth film in the Cities of Love franchise (following 2006's Paris, je t'aime, the 2008 film New York, I Love You, and Tbilisi, I Love You released earlier in 2014), created and produced by Emmanuel Benbihy.
Doomed Love (Portuguese: Um Amor de Perdição) is a 2008 Portuguese film directed by Mário Barroso. Cast. Tomás Alves; Ana Moreira; Rafael Morais; Patrícia Franco;
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In 1991 he wrote in Portuguese Requiem: A Hallucination, a novel later translated into Italian (winner of Premio P.E.N. Club italiano) and he published Sogni di sogni. In 1994 he released Gli ultimi tre giorni di Fernando Pessoa , as well as the novel that brought him the most recognition: Sostiene Pereira , winner of the Prizes Super Campiello ...
Debate continues as to whether Mariana was the real Portuguese author of the Letters of a Portuguese Nun (comprising five letters). Her purported love affair with the French officer Noël Bouton, Marquis de Chamilly and later Marshal of France, has made Beja famous in literary circles, mainly in Portugal and France.
Crises made national cultural factors collapse: romantic nostalgia was applied to Portuguese decline, the rest of Europe being considered the real focus of civilization. This complex of inferiority (which did not abolish a complex of superiority) became extremely incisive with the Realistic generation, the Geração de 70 .