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Oikonomos (Greek: οἰκονόμος, from οἰκο - 'house' and - νόμος 'rule, law'), Latinized œconomus, oeconomus, or economos, was an Ancient Greek word meaning "household manager." In Byzantine times, the term was used as a title of a manager or treasurer of an organization.
Oeconomicus comes from the Ancient Greek words oikos for home or house and nemein which means management, [1] literally translated to 'household management'. It is one of the earliest works on economics in its original sense of household management, and a significant source for the social and intellectual history of Classical Athens .
The title of this work means "household management" and is derived from the Greek word, οἶκος, oikos, meaning "house/household". The term includes household finance as it is commonly known today and also defines the roles members of the household should have.
Oikonomos was a household manager in Ancient Greece, or a treasurer of an organization. It may also refer to: The etymology of the word economy; Oikonomos Tsaritsani F.C., a Greek football club; Oikonomos, a photograph series by Edson Chagas
Oikonomou (Greek: Οικονόμου), also transliterated as Ikonomou and Economou, is a Greek surname, deriving from the word oikonomos, "housekeeper, steward". It can refer to: Aikaterini Oikonomou, birth name of Ketty Diridaoua, Greek actress; Antonis Oikonomou (1785–1821), naval captain in the Greek War of Independence
Erastus, Olympas, Rhodion, Sosipater, Quartus and Tertius (Menologion of Basil II) Erastus of Corinth (Greek: Ἔραστος, Erastos), also known as Erastus of Paneas, held the political office of steward (Greek: οἰκονόμος, oikonomos), in Corinth, according to the Epistle to the Romans 16:23 of the New Testament.
A painting that reveals (aletheia) a whole world.Heidegger mentions this particular work of Van Gogh's (Pair of Shoes, 1895) in The Origin of the Work of Art.In the early to mid 20th-century, Martin Heidegger brought renewed attention to the concept of aletheia, by relating it to the notion of disclosure, or the way in which things appear as entities in the world.
The entire work is framed in terms of explaining art, its symbols and meaning, to a young audience. The author of the work in the introduction states that the ten-year-old son of his host was the immediate cause of the composition of this work and that the author will structure the book and each of its chapters as if this boy is being addressed.