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Black Vaudeville is a term that specifically describes Vaudeville-era African American entertainers and the milieus of dance, music, and theatrical performances they created. Spanning the years between the 1880s and early 1930s, these acts not only brought elements and influences unique to American black culture directly to African Americans ...
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
George Gershwin's Porgy and Bess (1935) – starring Will Marion Cook's wife Abbie Mitchell among many others – is the most famous black musical of the 1930s. It is called a black musical because of the African American cast, even though neither the music or plot is of the “Negro inspiration” like the creators proclaim.
Lawrence Gellert (1898-1979?), was a music collector, who in the 1920s and 1930s amassed a significant collection of field-recorded African-American blues and spirituals and also claimed to have documented black protest traditions in the South of the United States.
In the early days of cinema, African-American roles were scarce and often filled with stereotypes. Pioneers like Oscar Micheaux, one of the first significant African-American filmmakers, countered these narratives with films like The Homesteader (1919) and Body and Soul (1925), which were part of the "race film" genre and tackled issues such as racial violence, economic oppression, and ...
This is a list of notable African-American singers that gives their year of birth and music genres ... (1930 –2013): blues; Terry ... (1927–2022), singerknown as ...
Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues. Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded.
While the Big Band Era suggests that big bands flourished for a short period, they have been a part of jazz music since their emergence in the 1920s when white concert bands adopted the rhythms and musical forms of small African-American jazz combos.