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Pilgrims view one of the claimed Seamless Robes (Trier, April 2012) The collarless neck of the seamless robe of Jesus. The Seamless Robe of Jesus (also known as the Holy Robe, Holy Tunic, Holy Coat, Honorable Robe, and Chiton of the Lord) is the robe said to have been worn by Jesus during or shortly before his crucifixion. Competing traditions ...
In the Acts of the Apostles, Jesus is said to have manifested as a "light from heaven" that temporarily blinded the Apostle Paul, but no specific form is given. In the Book of Revelation there is a vision the author had of "someone like a Son of Man" in spirit form: "dressed in a robe reaching down to his feet and with a golden sash around his ...
Egyptians were usually barefoot. The most common headdress was the klafta or nemes, a striped fabric square worn by men. Certain clothing was common to both genders, such as the tunic and the robe. Around 1425 to 1405 BC, a light tunic or short-sleeved shirt was popular, as well as a pleated skirt.
The statement that Jesus's clothes, all except the seamless robe, were divided, implies that they were literally divided into component sections. The "seamless" nature of the robe that they cast lots for doesn' mean that it had no side seams like a sock or that it was loose like a poncho.
The painting in its current frame, hanging in the National Gallery. The Latin form of Pilate's words, "Behold the man", has given the title Ecce Homo to this picture. It is the moment when Jesus comes forth from the rude mockery of the soldiers, clad in a royal robe, and wearing the crown of thorns.
The dalmatic is a robe with wide sleeves; it reaches to at least the knees or lower. In 18th-century vestment fashion, it is customary to slit the under side of the sleeves so that the dalmatic becomes a mantle like a scapular with an opening for the head and two square pieces of the material falling from the shoulder over the upper arm. Modern ...
The Hebrew noun ketonet (כֻּתֹּנֶת ) is the generic term for a tunic in Hebrew. The first use is the "coats" of skins made for Adam and Eve in Eden, the best known use would be the coat of many colours of Joseph.
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
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