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Stained glass windows were commonly used in churches for decorative and informative purposes. Many windows are donated to churches by members of the congregation as memorials of loved ones. For more on the use of stained glass to depict religious subjects, see Poor Man's Bible. Important examples
A trumeau mirror is a type of wall mirror originally manufactured in France in the later 18th century. It takes its name from the French word trumeau, which designates the space between windows. Such a mirror, usually rectangular, could also hang above an overmantel. A decorative carved or painted scene was the prominent characteristic, and ...
The False Mirror is a surrealist oil on canvas painting by René Magritte, from 1928. It depicts a human eye framing a cloudy, blue sky. [1] [2] [3] In the depiction of the eye in the painting, the clouds take the place normally occupied by the iris. [4] [5] [6] The painting's original French title is Le faux miroir. [7]
Etched glass and stained glass commemorative window (c. 2006) Abrasive blasting ("sandblasting") is another common technique for creating patterns in glassware, creating a "frosted" look to the glass. It is often used commercially. High-pressure air mixed with an abrasive material cuts away at the glass surface to create the desired effect.
The Celestial Room is perfectly square. Flanking its walls are 8 Corinthian columns (four half-columns and 4 quarter-columns), the capitals of which are lightly gilded with yellow and white gold leaf, plus 4 mirrors and two faux art glass windows with olive fruit and olive leaves surrounded by grapes and grape leaves. The height of the ...
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Verre églomisé [vɛʁ e.ɡlɔ.mi.ze] is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy [1] (1711–1786), who was responsible for its revival.
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