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As a popular jazz standard, the song is included in the first volume of the Real Book as well as the New Real Book. [2] [3] It appears as a love theme both in the 1932 film The Mummy (when it is played during the ball sequence where Helen is telepathically called to the museum), and in the film Hotel Continental, also 1932.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The Telegraph states that it is a "comprehensive guide to the most important jazz compositions, is a unique resource, a browser's companion, and an invaluable introduction to the art form", adding that "musicians who play these songs night after night now have a handy guide, outlining their history and significance and telling how they have been performed by different generations of jazz ...
The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. [5] Some compositions written by jazz artists have endured as standards, including Fats Waller's "Honeysuckle Rose" and "Ain't Misbehavin'".
[179] [180] [181] Over the decades the song was frequently recorded and remains a standard in the jazz repertoire to this day. [ 182 ] [ 183 ] " You Go to My Head " was written by composer J. Fred Coots and lyricist Haven Gillespie and introduced by Glen Gray and the Casa Loma Orchestra, who charted at number nine in 1938.
I. I Ain't Got Nothin' but the Blues; I Can't Get Started; I Cover the Waterfront (song) I Didn't Know What Time It Was; I Don't Stand a Ghost of a Chance with You
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A commonly played song can only be considered a jazz standard if it is widely played among jazz musicians. The jazz standard repertoire has some overlap with blues and pop standards. The most recorded standard composed by a jazz musician, and one of the most covered songs of all time, is Duke Ellington's and Juan Tizol's "Caravan" with over 500 ...
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