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Ilukpitiya Mudiyanselage Vijaya Nandasiri (6 May 1944 – 8 August 2016 as විජය නන්දසිරි) [1] was an actor in Sri Lankan cinema, stage drama and television. [2] Considered a leading dramatist in Sri Lankan cinema, [ 3 ] he was also a singer and a producer.
Sarath Chandrasiri (13 June 1964 – 4 December 2021: as සරත් චන්ද්රසිරි) [Sinhala]) was an actor in Sri Lankan cinema, theater and television. [ 1 ] [ 2 ] He is best known for the role "Samagipura Wasantha" in popular television serial Paba and role "Ukkuwa" in the serial Malee .
Nandasiri was the one who invited Mihirani for the drama Subha Saha Yasa in 1974. [7] They married in 1989. On 8 August 2016, Nandasiri died at the age of 69 while being taken to the Kalubowila Teaching Hospital after suffering from a cardiac arrest. [8] [9] [10] The couple has one daughter, Navanjana Dulanjali and one son, Rasanjana Suchitra. [4]
Sanath Wimalasiri (Sinhala: සනත් විමලසිරි, born 8 april 1974) is an actor in Sri Lankan cinema, theatre and television. [1] [2] Highly versatile actor from drama to comedy, Wimalasiri is also a talented singer, television host, School Teacher, Lecturer, Counsellor, Teacher Trainer and Specialist Human Skills Development Trainer.
Sri Lanka Sinhala Cinema Database - www.films.lk; New Sinhala Films - www.sirisara.lk; New Sinhala Movies; National Film Corporation of Sri Lanka - Official Website;
Sidu also known as Malee 3 [1] is a 2016 Sri Lankan long-running teledrama and is the third installment in the Malee TV series which aires in 2011–12 [2] broadcast on TV Derana. It is a sequel to the 2013 teledrama Aththamma (Malee 2) and follows the story of Malee's son, Sidu who is abducted by his mother's former foes, and the boy's ...
Her drama career started with U.A.S Perera's Lama Pitiya program in Radio Ceylon.She sang the song Surathal Nangiye with U.A.S Perera and W. A. Wijepala in 1939. [5] Then in 1956, Gunawardena entered to stage drama with the main role as the first queen in play Maname by Ediriweera Sarachchandra.
Maname is generally considered the first real Sinhala drama, signalling the transition from the Nadagam or folk drama to the modern theatrical drama format. [5] After the successful venture, he continued as a playwright, developing his next stylist play Sinhabahu in 1961, which is widely considered as his best work.
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