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An Israeli poet and Holocaust survivor, Itamar Yaoz-Kest, published a poem in response, entitled "The Right to Exist: a Poem-Letter to the German Author", which addresses Grass by name. It contains the line: "If you force us yet again to descend from the face of the Earth to the depths of the Earth—let the Earth roll toward the Nothingness."
The lines are not simply rhythmic: the rhythm is regular within a line, and is the same for each line. A poem having a regular rhythm (not all poems do) is said to follow a certain meter. In "The Destruction of Sennacherib," each line has the basic pattern of two unstressed syllables followed by a third stressed syllable, with this basic ...
The poem is written in Whitman's signature free verse style. Whitman, who praises words "as simple as grass" (section 39) forgoes standard verse and stanza patterns in favor of a simple, legible style that can appeal to a mass audience. [7] Critics have noted a strong Transcendentalist influence on the poem. In section 32, for instance, Whitman ...
In 2025, the works unbound from copyright cap off the 1920s with literature, characters and more from 1929 entering the public domain.
Sonnet 60 is an English or Shakespearean sonnet.The Shakespearean sonnet contains three quatrains followed by a final rhyming couplet.It follows the form's typical rhyme, abab cdcd efef gg and is written a type of poetic metre called iambic pentameter based on five pairs of metrically weak/strong syllabic positions.
Leaves of Grass is a poetry collection by American poet Walt Whitman. Though it was first published in 1855, Whitman spent most of his professional life writing, rewriting, and expanding Leaves of Grass [1] until his death in 1892. Six or nine individual editions of Leaves of Grass were produced, depending on how they are distinguished. [2]
"A Dream" is a poem by English poet William Blake. The poem was first published in 1789 as part of Blake's collection of poems entitled Songs of Innocence. A 1795 hand painted version of "A Dream" from Copy L of Songs of Innocence and of Experience currently held by the Yale Center for British Art [1]
"Slough" is a ten-stanza poem by Sir John Betjeman, first published in his 1937 collection Continual Dew. The British town of Slough was used as a dump for war surplus materials in the interwar years, [1] and then abruptly became the home of 850 new factories just before World War II. [2]