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Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain.The earliest example of the form is the Batrachomyomachia ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great.
The novel embodies a fusion of two competing aesthetics of 18th-century literature: the mock-heroic and neoclassical (and, by extension, aristocratic) approach of Augustans such as Alexander Pope and Jonathan Swift, and the popular, domestic prose fiction of novelists such as Daniel Defoe and Samuel Richardson. The novel draws on various ...
Frontispiece Book II of 1760 London edition of Pope's works (Vol V), showing the Goddess surrounded by sleeping poets. Most of Book II of the Dunciad B is the same as Dunciad A. The Dunce Games are largely the same, with a few changes in personnel. Cibber watches all, with "A brain of feathers, and a heart of lead" (II 44 [35]). The contest of ...
In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". [11] Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted.
A mock-epic, it satirises a high-society quarrel between Arabella Fermor (the "Belinda" of the poem) and Lord Petre, who had snipped a lock of hair from her head without permission. The satirical style is tempered, however, by a genuine, almost voyeuristic interest in the "beau-monde" (fashionable world) of 18th-century society. [17]
Epic of Bamana Segu, oral epic of the Bambara people, composed in the 19th century and recorded in the 20th century; Epic of Darkness, tales and legends of primeval China; Epic of Jangar, poem of the Oirat people; Epic of Köroğlu, Turkic oral tradition written down mostly in 18th century; Epic of Manas (18th century)
Arabella Fermor, a 19th-century print after Sir Peter Lely's portrait of her. The Rape of the Lock is a mock-heroic narrative poem written by Alexander Pope. [1] One of the most commonly cited examples of high burlesque, it was first published anonymously in Lintot's Miscellaneous Poems and Translations (May 1712) in two cantos (334 lines); a revised edition "Written by Mr. Pope" followed in ...
The leading figure in British music of the early 18th century was a naturalized Briton, George Frideric Handel (1685–1759). Although he was born in Germany, he first visited England in 1710, later moving there and becoming a naturalised citizen, playing a defining role in the music of the British Isles. [ 13 ]