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The Elgin Marbles (/ ˈ ɛ l ɡ ɪ n / ELG-in) [1] [2] are a collection of Ancient Greek sculptures from the Parthenon and other structures from the Acropolis of Athens, removed from Ottoman Greece and shipped to Britain by agents of Thomas Bruce, 7th Earl of Elgin, and now held in the British Museum in London.
Imperial Spoils: The Curious Case of the Elgin Marbles is a 1987 book by Christopher Hitchens on the controversy surrounding the removal by Thomas Bruce, 7th Earl of Elgin of the Parthenon's sculptured friezes (which became known as the Elgin Marbles), and his subsequent sale of the Marbles to the British Museum.
Hunt testified to the Parliamentary committee on the Elgin Marbles on 13 March 1816. [40] The committee's report contained a translation (via Italian) of the second firman. [41] [42] The Italian original is extant. [17] Hunt's testimony was that the interpretation by the vaivode of the second firman was the basis for the removals of marbles. [43]
The Elgin Marbles were created between 447 and 432 B.C. as architectural decor for the Parthenon—the temple of the Greek goddess Athena—on the Acropolis in Athens.
The Elgin Marbles were crafted in the 5th century BC and were originally displayed in the Parthenon in Athens. They are considered among the most prized antiquities from the Ancient Greek period.
The Parthenon had 46 outer columns and 23 inner columns in total, each column having 20 flutes. (A flute is the concave shaft carved into the column form.) The roof was covered with large overlapping marble tiles known as imbrices and tegulae. [66] [67] The Parthenon is regarded as the finest example of Greek architecture.
Prime Minister Rishi Sunak cancelled Tuesday's meeting with his Greek counterpart Kyriakos Mitsotakis after his office said the two sides had previously agreed that it should not be used as a ...
Byron was a bitter opponent of Lord Elgin's removal of the Parthenon marbles from Athens and "reacted with fury" when Elgin's agent gave him a tour of the Parthenon, during which he saw the spaces left by the missing part of the frieze and metopes.